![]() It’s just a shame that the narrative is so flat. Similarly, the setting is simply beautiful – filmed with real backgrounds onto which the CGI beasts are seamlessly superimposed. The skin textures, the fluidity of movement, the attention to detail in every single character render this film one of the most visually staggering I have ever seen. The animated monsters in Jurassic Park look positively prehistoric when compared to the work on display here. If I didn’t know any better, I would swear that the creatures on screen in this movie were real. Initially shunned by the herd, Aladar eventually makes friends with Neera, a female, and offers help to three elders who are slowing down the group – and making an enemy of Kron, the leader, in the process.ĭespite being beaten to the punch by the BBC’s nature series Walking With Dinosaurs, the visual effects in Dinosaur are nothing short of miraculous. When the island is devastated by a meteor shower, Aladar and the survivors hook up with a group of other dinos who are searching for “The Nesting Grounds”, a mythical place where land and water are bountiful, but who are continually avoiding the deadly carnotaur predators who track their every move. In this case, the outsider is a young dinosaur named Aladar, who is orphaned at birth and raised instead by a family of lemur-like monkeys on a small island. Right from The Little Mermaid and Beauty and the Beast, through The Hunchback of Notre Dame and Mulan, the mouse house have continually recycled the old story line chestnuts again and again – an outsider comes to be part of a new community, is initially shunned by the group, but is eventually accepted when he/she/it stands up to an aggressor and proclaims the merits of teamwork, loyalty and understanding. As a film, Dinosaur’s themes and messages are rooted in the grand Disney tradition. It is the James Newton Howard score I have been waiting all my life to hear. Previously defined by taught, almost themeless thriller and horror works with the odd landmark standout (Waterworld, Wyatt Earp), Dinosaur is highly recommended for anyone who was underwhelmed by The Sixth Sense or bored by Snow Falling on Cedars. A mammoth majestic effort of immense proportions and great beauty, James Newton Howard’s score for the Disney animated epic Dinosaur is far and away the best work of his career to date.
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